I have been in the past ten years | Tian Lei: The spring of opera will be brighter

Author:Cultural Tourism China Time:2022.07.18

Talkman: Tian Lei National Peking Theater first -level actor

In 2012, I was transferred from the Fujian Peking Theater to the National Peking Theater. It was officially transferred in 2016. So far, I have worked at the National Peking Theater for a full 10 years. These 10 years are the 10 years of my artistic growth, and I have gradually changed my artistic concept.

Tian Lei rehearsed Chen Chen Photo

Over the years, under the guidance and influence of the artists of the theater, from the use of four skills and five methods to makeup skills, I have a deeper understanding and understanding, and gradually found the acting style of the National Peking Theater. In the past 10 years, the concept of the stage performing arts and stage performance of the "one dish" deeply rooted my heart. My requirements for basic skills were more standardized and more thoroughly understood by performance. I saw the creative process of many national Beijing artists, which was deeply inspired and helped; I was fortunate to get the teachings of several artists from Feng Zhixiao, Li Guang, and Gao Mukun, and absorbed the artistic nutrients of many Beijingists, which enriched me and added the repertoire. Reserve.

In 10 years, the theater gave me a lot of creative opportunities, including playing Ma Jiahui, who played challenging villains in "The Daughter of the Party", played Cao Zhi in "Luoshui", played Zhao Yun in "Changzaka Po", in In "Borrowing Hua", the two corners of Zhuge Liang and Guan Yu. With the support of the theater, I also participated in the creation of some other theater troupes and the creation of the repertoire, such as "Poetry King Bo" in Zibo Beijing Theater in Shandong, "Warrior" of Zhejiang Jingkun Art Center. Good progress opportunities.

My generation of Peking opera actors caught up with a good era. The Party Central Committee attaches great importance to talent work and promotes the reform of the talent development system and mechanism. The National Peking Theater also attaches great importance to talent training, especially providing special funds, learning and stage display opportunities for young talent training. The National Peking Theater launched the "Hundred Day Training" leading talent training programs among all staff members this year. I am fortunate to be selected. The theater tailor -made training plans, organizes special performances, invited the "Sky Theater" to recording according to my actual situation. These are things that I dare not think before.

In late April, "Lei Luo Xingyue Gao" -The cultural master and "four batch" talents, the leading talent training of the "Hundred Day Training" of the National Peking Theater. The two big dramas "Wild Pig Forest", "Kirin Mountain" and Peking opera folding drama "Upper Tower" and "Broken Bridge" and so on. This is the first time I have held a special session in the past 30 years. Thanks to the hard work of the college leaders, teachers, colleagues, and colleagues, it also gives me the opportunity to return to the theater for my training on the theater on the occasion of working in Guojing for 10 years.

Peking opera actors must have energy on the stage. If these three words are presented on the stage, the word "love" is needed. The cultivation of the leadership, the teaching of the teacher, the friendship of colleagues, and the family affection of the family are indispensable, otherwise the actors cannot grow on the stage.

Now the spread of Peking Opera is not only on the stage, the theater, but also the mobile phones, the Internet, and various new media platforms have contributed to opera communication. The opera has a stage charm that spans time and space, keeps advancing with the times, glows with the glorious times, continues to attract audiences of different ages, and watching groups has become younger in recent years. In the future, there are more and more people who like to watch opera and respect opera, and more and more people engaged in opera, so that the spring of opera will be brighter.

Responsible editor: Yang Zisi

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