Li Tie: Deep in ten years, "Amoy" novels in life

Li Tie

Ten years are too fast, and some things have passed before they have time. Thinking about what I have done in the past ten years, it seems that except for life is writing, or writing is also in life, there is no clear boundary. In the past ten years, I have written a lot of novels. Almost no exceptions are from life, some of them live directly, and some are indirect life. Whether it is direct or indirect life, it is to integrate into the times, integrate into the fiery real life, and create a masterpiece of the era. For this goal, my actual approach is to "deeply tie". Find a fertile soil that suits you, like a plant, tie it down, and grow upright and healthy with the plants around me.

I grew up in Liaoning in Northeast China. I have two decades of state -owned enterprise work experience. There are many simple technical personnel, entrepreneurs and workers. They have influenced me and life. Many details of life are immersed in my bones. Later, I was transferred to the factory, and I still went deep into the front line of state -owned enterprises to experience the unremitting efforts of our builders to revitalize the old industrial base of the Northeast and feel their joy and sorrow. In the past ten years, I have often contacted the friends of the company, asking for a look at the factory, and feeling the atmosphere there; I often go to the countryside, live in a village for a day or two, and feel the atmosphere of the new countryside. On one occasion, I also arranged me through an entrepreneur friend to an experience of a front -line team for a month, and went to work with the worker master. This time, I saw it very much. I saw and experienced the current factory work with my own eyes. I experienced the differences between modern factories and past factories. Not only are the technical differences, but workers are more different in quality and cognition. I experienced life at the professional and technical level, but the mentality and efforts of the workers. These strange and familiar faces are the motivation and source of my novels. Many of my novels are written by them. For more than ten years, I have experienced a lot of experience. I feel that only by sinking down, paying attention to the people's joy and sorrow, and paying attention to the green mountains and mountains, can we truly express the pulse of the times and reflect the spiritual appearance of the people. In the form of literature, in the form of literature Build our spiritual homeland and make a pass for the people.

In the past ten years, I wrote "Splendid", which is a long novel that writes a large smelting and chemical factory. Before I conceived this novel, I knew some smelting companies, and several very good friends worked in this company. With the idea of ​​writing this novel, in addition to interviewing staff at all levels of enterprises, I also deepened the process of producing first -tier experience production labor. These personal experiences played a key role in writing. Writing is like writing people and things around me, writing their own labor experience. Because of this, this novel truly reflects the boiling workers' lives and reflects the mental state of the current workers. In this novel, I used the titanium pink project as an observation point. From the early days of the founding of the new China, the pain of the restructuring of state -owned enterprises in the 1990s, and the strongest into the 21st century, showing the new China chemical industry. And the process of development of the Northeast Industrial. The novel will be the protagonist Zhang Dahe, Zhang Huaiyong, Niu Hongbo and others in the face of difficulties. In the face of history, they are bravely responsible for responsibility and shaped vividly and solidly.

Zhang Dahe is a brand -new image. I strive to break through the ideological setting of industrial theme creation to shape an objective and three -dimensional character. Zhang Dahe is a highly skilled worker. He is responsible for the glorious task of refining the first furnace manganese for the New China. His ideal is to be a technical master, and he has to teach the technology to everyone. He wrote in his diary: " I want everyone to learn with me, and I ca n’t get a big trip. ”This is our workers. Before writing, his image was spoken from the mouth of many older workers and grew up in my heart. This is the concrete role of in -depth life in literary creation.

In ten years, I also wrote a lot of short and short stories. The novel "Handmade" is another practice of writing a master of workers. It is also a harvest of in -depth life and making friends with the workers. Around 2019, I went to a mechanical factory to experience life, and went to the workshop to participate in production labor with several clamping masters, and listened to them to talk about the past and laugh; I often dinner with them after get off work to enhance their feelings. This novel tells the masters in the factory decades ago, and the materials are from the story they tell. The technology competition in the factory was common at that time. Sometimes, compared to the taste of martial arts novels. Closing their eyes, the image of those masters was vividly visible. They were rough and bold, and they were as careful. They did not let go of a hair -like hair -like hair. The measurement of the workpiece is not the meter of the centimelate but the Tao. One millimeter is equal to a hundred. If you don't want to go down or a knife, it is not a problem. The craftsmanship is good, one is used for work, and the other is used to display it. These two seem to be useless, but they are complementary to the other, none of them, none of them. The display was completed in the form of competition. Everyone wanted to be the winner, so they formed competition, and they all secretly competed. The motivation to learn craftsmanship came from this.

With all the best craftsmanship from his own good years, he suddenly became useless one day. The feeling of loss is not that the person in the situation cannot be appreciated. I fictional stubborn Jing Ji used my own hand to challenge the plot of CNC machine tools. He went to a factory and went to a factory. He was unwilling to fail, just like Don Quixote, who challenged the windmill. But failure is taken for granted. In theory, any complicated craftsmanship will be replaced by machines. This is a tragic process. All kinds of technical competitions belong to comedy. No matter how nervous and serious the contestants are, the viewers are relaxed and happy. It is no less than watching a song and dance performance. I remember that when I was a worker in the factory, I also participated in a player hammer competition. It was not that I wanted to participate, but every green worker had to participate. I took my hand hammer to play and looked at them. I was already very skilled in the field, but I was still nervous on the court. When I made a hammer, I hit the left hand of my own flat shovel. No matter how good you are, you can't stand the martial arts, and it is impossible to go to the table. After ten years, my experience is that "deep tie" is by no means a gesture, but accumulation, it is real, even a lifestyle. It must be full of emotions, but also objective and fair. Like a forest guard, we must protect the spiritual high ground, and to make a long time with the people, build a spiritual garden, and protect our green mountains.

The value of literature is spiritual, and some toxins can be resolved silently. The significance and role of literature on human life is to save the soul and establish dignity. The diaphragm between people and ruthlessness have become a major crux of modern life. How can people's increasingly indifferent soul shocked, how can it make a bridge of a soul between people? I think this is the responsibility of literature and a major reason we need literature. Thinking about the deepest issues in our time in the name and form of literature, reflecting the ideological strength of our time, establishing the correct worldview, and creating a new character image. This is the power of literature.

In the past ten years, the times have changed rapidly, and countless information has been quickly overwhelmed. The resources provided by society have increased, but the misalignment of information itself and the difficulty of authenticity have brought us greater difficulties. I think that writing novels is to loyal to record history and the times, write the spirit of people in this era, pass on this hot land under our feet, and pass on our people.

Content source: Literature and Art News on September 7, 2022

WeChat editor: Lu Yimeng

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