"Ru Xue Rushan": Tell your own voice

Author:Chinese Women's Network Time:2022.06.21

Although the snow was quiet, it gave birth to the soul of hope; although the mountain was silent, she still guarded the strong side. "Xue Ru Mountain" is the latest collection of contemporary female writer Zhang Tianyi. Focusing on seven ordinary women named "lili", let them go to the stage to tell their own voices and stories. These seven stories are like seven small and exquisite buds. They have different roots but different colors. In the full landscape presentation, the survival situation of women and the life energy of the current women will be erected one by one.

■ Non -hidden

As a very talented member of the "post -80s" young writer, Zhang Tianyi has a deep and old insight into the world. Ordinary women named "lili" excavate their unknown hidden pain in the delicate reality of densely retrieved, let them go from the dark to the stage to tell their own voice.

Alternative imagination and female community

The seven stories of "Xue Ru Mountain" all appear a female character called "lili", which are the protagonists, or the "supporting role" when they are hidden. With the author's accuracy and abundance of reality, these seven stories jointly wrote a rich picture of the current situation of women's survival.

From the perspective of ordinary people, female authors seem to be born with their own sensitivity. Zhang Tianyi is good at writing women's delicate hearts. Writing the texture, smell and texture of people and things, almost leaked, magnificent and accurate. It is through this kind of writing that we can grasp a context of self -impulse about women's pursuit of "her" in many stories.

If we look closely at these seven stories, we will see women trying to jail another possibility on the side of the permanent life. In the "Memorial Day", Zhang Tianyi clearly wrote the imagination of Li Li for another heavy life for the first time:

"She thought she would become such a woman. The woman was completely different from the current Tao Li Li, and she had completely different minds and feelings. She should be more free, her life is more tortuous, more interesting, and more folds worthy of folds. It can be used as a scar of a medal, not like it is now, it has lost the opportunity to change early, smooth, pale ... "

Imagine a "her", a "remote point" image that is different from self, and the current field of reality, revealing the desire of women who are not satisfied with the current situation and break through the restraint. The 19th century French poet Lang Bo proposed the slogan of "living elsewhere", which expressed the desire to set foot on a new journey and find a new life. This impulse to hold back is not only a woman's stress reaction when a realistic encirclement besieged, but also rooted in women's consciousness and women's experience itself.

The alternative imagination of self is also appeared in "Swimming". The author has carefully described the appearance of the other person in his eyes when Wang Lili first met Ling Kehua:

"It is a lady, a keyhole -type swimsuit with a white, white swimming hat, and white -bundled black edge. There is a drip -shaped hollow opening on the chest, a pair of black goggles, covering her eyes. On the shoulders, the trigonites on both sides are raised with a slope, the waist is not thin, and the hips are not the kind of fleshy and richness, but the lines are powerful, like a strong bow string. Her skin is a faint color, lined with white clothes, she is lined with white clothes. Make people think of round, Liangzhu's pottery. "

In the development of the subsequent stories, with the help of Wang Lili's eyes, we will touch the true image of Ling Kehua more clearly. After the swimming pool was touched, Ling Kehua left the incident center, but her influence on Wang Lili never faded. At the end, Wang Lili returned to the swimming pool on a heavy rainy day and swim with the employees in the museum, and replaced it with a completely different outfit: white swimsuit, white swimming hat, white slippers. Such a dress is similar to Ling Ke, which is undoubtedly a new return after Wang Lili left after her departure.

In addition to this inner imagination, Zhang Tianyi also wrote the support and care between female individuals: "I just want to sit down" Zhan Lili and female classmate Sun Jiabao's short -term response on the train, the grains and grains in "Blood above the ground" and The mother's heart has the secret sharing of the rhinoceros. In "Swimming", Wang Lili gathered the courage to testify after the Ling Kehua was touched. Zhou Jiali visited the sister -in -law Xiaoju family after the two families changed ... When women may suffer pain and distress at any time, they held hands together and formed a heating alliance. The friendship also shines with the excellent quality of women's warmth and toughness.

The truth of being poked

Another major question that "Ru Xue Rushan" tries to answer is: How can women understand a man who has a conscious or unconscious manner beyond individual experience, conscious or unconsciously to beautify in the brain? How to live with such men? This is both the novel's strength and the urgency of women's encounters in reality. From this perspective, the author's attitude is mostly cold. At the expense of the women in the pen, the women hit their heads, and fantasies encountered a realistic high wall. The shocking and even contempt of life exposed its fangs.

Zhang Tianyi is familiar with a gap. This kind of gap was originally imagined by a layer of dreamy colors for men. Eyes. The variables that have gone through this time are the reflection of the narrative strategy of "seeing him from the tall building, seeing his banquet guests, and seeing his building collapse". In the writing that depends on the dramatic plot to build the theme and explore the faint writing of human nature, "Ru Xue Ru Mountain" must have a sudden plot to reverse. scene.

The painstaking situation of creating such a sudden reversal is that readers will incorporate their subtle reactions of the parties into the bottom of the eyes. Zhang Tianyi's writing is interacting between the two sexes, the intention is to use this to apply for the female mirror of women, so that readers can be caught in the huge contemplation of how women should relieve their mental dilemma and reached reconciliation with themselves and reality.

Fortunately, if we see seven novels as a picture of uninterrupted pictures, we will see a little light of "lili" when they are fighting with reality: from the changes in the time of young people to middle -aged and elderly people, although there are that like that like this, With their hardships, they eventually embarked on a self -consistent, transparent way, and found a new scenery of life.

"Xue Ru Mountain" is a woman who is no different from you and me in the general public. They brought them to the foremoon that they were originally covered up, saying how they were damaged, insulted, and how they tirelessly pursued them to pursue them unremittingly With adherence. Although the snow was quiet, it gave birth to the soul of hope; although the mountain was silent, she still guarded the strong side. Looking at these seven stories, it is just like watching seven small and exquisite buds. They have different roots but different colors. In the full landscape presentation, the survival situation of women at the moment and the energy of life of the current women are out.

- END -

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