Micro -reviewing Thirteen Arts | narrative logic and emotional demands of the subject matter of pro -pro -theme

"Princess Jieyou" stills

The theme of He pro -pro -pro -literati is an important part of the literati. From Guan Hanqing, Ma Zhiyuan in the Yuan Dynasty to Chen Yubu, Xue Dan in the Ming and Qing Dynasties, to the modern Guo Moruo, Cao Yu, etc. Essence It can be said that from Yuan Zi Drama to the Ming and Qing Legend, to modern drama, and the drama with pro -theme. We know that the main plots and characters involved in the subject matter include "Zhaojun out", "Princess Wencheng into Tibet", "Princess Princess and Kiss Wusun State", etc. From the perspective of the fundamental demands, it is thought that the "Zhang Jian's envoy to the Western Regions" and "Suwu Shepherd" can also be included. So "with relatives" and "envoys" are important ways of national integration and civilized exchanges. History also proves that it is here. During the process, we can start a rich stage narrative and emotional expression.

During the new historical period, the subject matter of pro -theme plays the pursuit of rich and gorgeous stage presentation due to the theme of the national integration of the national unity and the integration of the national unity, the purpose of fitting the stage art is committed to expressing the purpose of showing drama conflicts and expressive tension, which has repeatedly been repeatedly on it The stage of art is presented. We see that from opera to drama, from opera to dance dramas, and pro -themes, they are common on various performances. Different stage art forms are expressed and explained in their special expressions. The preference and expression of this theme is also the vivid portrayal of the Huaxia people's advocacy, unity, mutual trust, and tolerance.

The Henan drama "Princess Jieyou" is a sample with the theme of the pro -the subject. The drama is full of drama tension: the tension between the individual emotional tragedy and the responsibility of the country, the tension between exotic survival and missing the country, and the division of war. The tension between the integration of the nation, the short -term utilitarianity of the dedication and the long -term effects of the peaceful soil. Based on this, the drama has become the "sparrow" of our anatomy and pro -theme, enabling us to glimpse its narrative logic and emotional logic, and to test its modern interpretation space.

1. The stage narrative logic of the drama of the pro -pro -theme

The capacity limited by the stage of the drama is generally developed along the logic of individual emotional expectations and its disillusionment, tragedy fate, and the aspiring of the country. We saw from "Princess Jieyou" that the evolution of gradually sublimating from the tragedy of individual destiny, and at the same time, we also see that it finally takes the responsibility of the family and national nations as its own responsibility. In this narrative Explore.

One is that the tragedy of the show is inherent and sustainable, and it does not disappear because it does not complete the great responsibility of the family. From the beginning of Liu Zheng, the "green plum bamboo horse" was about to be "talented and beautiful", and the imperial decree was coming as "Princess to relieve the princess" and decided to go to Wusun and his relatives. This setting is a tragedy that Liu family is looking forward to love but life -long. It is difficult to reconcile with the sincerity of emotions. This tragedy has been advancing the expansion of narrative, but it cannot be resolved anyway, becoming the internal tone of the entire drama.

The second is the transformation of the identity and role of "Liu Family with a woman" to "Princess of Sorry". It is the conversion of deeply buried love and breaking affection. The transition process is the inherent driving force of the stage narrative. Although it is too cruel to the princess of the resolving string of Ming Ruoqin, as a royal family and princess Han family, she endured the burden of humiliation and sent away the dear Zheng Jun (buried love) at the 13th year of leaving home until he left the home fifty and fifty home. Only the time when he returned to his homeland for his parents. Factors such as changes in political situations and internal and external dilemma in the past 50 years are unimaginable by people who are outside and outside. It is difficult to compensate emotion. Renning, this heavy clue and logic are the process of gradually "covering" the tragedy of emotional emotions with the success of the success.

The acting themes should be performed and must have their emotional core

He and pro -theme drama not only use the above two clues as the evolution of narrative logic in the internal dynamics of the drama, but also use "emotion" as the kernel to promote the development of the plot. Ye reserved the "exit" of sincere emotion.

In the drama "Princess Jieyou", each scene is "emotion" instead of "plot" the problem: the first medium -to -medium -to -face decree breaks the astonishment and helplessness of Liu Zheng's love and longing. Without a fight, the intangible wall of cousin from then on, blocking the love that was close at hand, and the change of the change means the reversal of the character and the turn of destiny. "When I heard it, I saw it, just like my parents followed their children", and the parents' "Princess Guide" completely diluted the family. In terms of emotional concentration, the difference between the different names of the daughter and the princess can be described as the difference between clouds and mud; in the third game Zhong Kuan's righteousness of Hu Gu officially opened the results of the responsibility of relatives, and initially reached the willingness to "cultivate the best of the hundred generations" and "no longer move the sword soldiers"; The joy of family civilization, and the gratitude of the purpose of "the world, the blessing of the people in the world"; the fifth session of the meditation of General Zheng's review and confidence in the past, and lamented that "the grassland has never been spring since then" Desperate; the emotional identity of the sixth new king Deng Jian and the surrender retaining place is rejected by the symbol of the efficiency of and the effect of peaceful and peaceful soil; Summary. Among them, the first, second, fifth, and seventh games are particularly moving. It is a person to settle down and worry the princess. Based on emotions rather than "preaching", it can be said that it is the only way to perform the drama with pro -pro -themes, and it is also the artistic pursuit of all stage play dramas. The psychological acceptance and interpretation space of the pro -subject acting drama

We noticed that the subject -themed drama is a highlight of the current stage creation. It has a natural advantage that is in line with the spirit of the times and compatible with art expression. It is also easier to highlight the tragedy of individual emotions and fate from the first perspective of women. It is also familiar to its ears. Historical facts, legends, and stories, so that they have natural affinity with modern audiences, and open up the space for modern people's aesthetic habits and psychological acceptance. But at the same time, this is also the double -edged sword, because of its familiarity, so the space for the editor will be more narrow, especially in the narrative plot and the theme of the performance, it is difficult to break through. And more ornamental expectations. From this perspective, the advantages and disadvantages of the subject matter are equally obvious.

What is difficult to avoid psychology is that modern young audiences are more strange to the complicated and cruel feudal dynasty countries. It is difficult to fully understand the "historical truth" of the artistic reproduction of the artistic and concepts of modern society. Doubt: Is the effect of "harmony" in the process of political marriage between the two parties? Is the harm of the "big ego" in the "big ego" in the pro -policy? Even if it is beneficial to the national nation, is there a more suitable way or method to replace the "harmony"? In the traditional prejudice of "red face" and "woman mistaken country", is there a certain contradiction with the identity of the pro -princess? Why is it unable to continue in the history of the long dynasty? If it is difficult to lay the seeds of thinking and answering in the play, then modern people, more importantly, will be suspicious of this, and then question the spirit and its cultural core advocated by this subject. Because of this, if it is difficult for the acting themes to be examined from a modern perspective, no matter how "newly edits" it, it is bound to be "old". Of course, it is difficult to resonate in social concepts. Therefore, we need to further give play to the advantages of traditional stage play, find the point of the traditional cultural theme and the psychological psychology of modernity, and do a good job of cultural interpretation with modern consciousness.

It can be said that the active theme drama has its natural advantages in the plot narrative and stage presentation. It can closely linked personal emotions with national feelings and individual destiny with the politics of the country. , Can also express love, affection, and tenacity, tolerance, especially in a special context, presented in artistic methods such as music, singing lyrics, etc., which can show the character image and temperament of the character. Emotional color. More importantly, we can deeply think of its contemporary values ​​in the "field" of the theater, and then think about the role of individual integration into the historical burden, and make positive response to the current social concept and consciousness. This is also an important reference and inspiration of the historical drama for how we deal with the relationship between self -to -nation, individual, and country in the current century -old change.

(Special author: Zhang Hongwu, Hebei Provincial Institute of Culture and Tourism)

Responsible editor: Zhang Jiayi

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