The 13th China Art Festival Special | Chinese Children's Arts "Can't Send the Information" -The children's drama also has a "peak" work

Children's drama also has a big work of "peak"

During the war, children have always been the most priority to protect the Communist Party of China because they are the future and hope of the nation.

In the drama theater, niche audiences are the most priority objects for the Republic of literary and art workers, because they are the successors of national rejuvenation.

"Instead of Sending Intelligence" is the key support of the "Celebrating the 100th Anniversary of the Chinese Communist Party's establishment of the 100th anniversary of the establishment of the Communist Party of China". Different from the works of the same kind of theme in the past, this is a new angle, a new height, and a revolutionary historical theme of new thinking about the relationship between war, children, war, and humans. The abstract concept of the "hero" on the stage has been specifically described, and a new interpretation of revolutionary historical themes from a child's unique perspective. During the Anti -Japanese War of the Anti -Japanese War, the tenderness of the revolutionary predecessors was passed on to today's children.

Start from the child's heart,

Created from the perspective of the audience

The children's drama "Instead of Informal" adapted according to the novel "Intelligence Pigeon", a child literary writer Xue Tao's novel "Intelligence Pigeon". The perspective tells the story of how the Northeast Anti -Japanese Coalition forces led by the Communist Party used love and courage to protect their children, let children stay away from the war to spend the difficulties, and at the same time reveal the other side of the children's anti -war story.

In the children's drama "Instead of Sending the Information", not only retains the original spiritual core of the original work, but also creates new creations from the perspective of the drama.

The whole drama is talking to the villagers in the children's language and childlike and childlike fun to tell the story they understand. In the play, Li Xiaodao's "love" of Yang Jingyu is based on his imagination. That is the imagination of his experience from his homeland's stray career -Commander Yang is extremely heroic, the world is unparalleled, and it is the red -faced Guan Yunchang; This is a master of talents, surprisingly winning, Zhang Fei, Dou Er Dun, Sun Wukong ...

"When these imaginations appeared on the stage, the villagers were stunned and laughed. They liked it very much. This is both imagination and humor. Such a unique imagination has such a cute sense of humor. "Ouyang Yibing, the former president of the Chinese Children's Art Theater, said that the stage showed the child's most true nature.

"This nature will not be covered by war, cruelty, and suffering. Under any situation, the child's nature is good, beautiful, and true, as well as confusion, pain, and carnival. We through the eyes of a child, or we walked into the heart of a child, looking at the war, and the hero in our hearts. "Feng Li said.

The creators and performers are based on the children's eyes and from the child's heart. They can let the audience in the audience pull hands with the children of the Manshan and Li Xiaodao, through the time, experience together, share with sadness, share fate, and share fate , Until the end of the play and the end of the play- "You are a child, the future, the hope, and the reason for us to sacrifice without complaints and regrets."

Reveal the huge warmth with huge cruelty

Children are the future. "Intelligent Information" is not only about war, but also a work about growth and writing to the future. Since the premiere performance, the information that has been delivered through thousands of hardships and hardships is a good conveying of good times, passing the warmth of the Chinese Communists to the future of the motherland to the minds of the current children.

"When mentioning the red theme and the anti -Japanese war, the children may think -'Oh, maybe give me another lesson, the teachers have told us'." Feng Li said, "We hope that children are the easiest In the atmosphere, he even forgot what you want to tell him, and follow the hero and joy with the hero. The relaxed process of watching the theater is left to the back of a long time. , Even after a long time, he will still think about a certain moment in this play, a certain paragraph, a certain scene -this play will accompany the children to the future. "

For children, too grand narratives are difficult to really enter their hearts. How can the red theme of the main theme children's drama be interested and understood and touched by the current children? Feng Li said that this was always working hard for Chinese children. "Intelligence I can't get out" wrote a general General Yang Jingyu who loved but loved by his father. In the most dangerous, the youngest soldiers left the troops to send information, and the real purpose was to let this Children can be the survivor of war, because "you are a child, you are the future, you are hope, you are all the reasons for our sacrifice."

Before this "mystery" was announced, the little audience saw more than an hour of thrilling and interesting "adventure": the courageous anti -Allied little warrior, the small wandering artist of "qi" and the mood The cowardly Little Japanese soldiers died and I lived together with children's real mentality and the peaks of drama contradictions. They all paid attention to and forgot the emotions at the scene. Finally, on the other side, the small Japanese soldiers were forced to become a war machine by the captain. In the news of General Yang's sacrifice, the co -warrior understood that this intelligence was just an endless love and hope, and the blood stains and tears moved towards the battlefield again. Feng Li said: "The whole drama shows the huge warmth with a huge cruelty -there is no line of preaching, so that the child is unknowingly followed the plot and performance. They realized that the good life of today is not easy. "From the mountains with intelligence, leaving the forest with intelligence, leaving Yang Jingyu, and the beginning of the Anti -Union soldiers, his adventure began, and his growth began. From this perspective, this story rises from a revolutionary historical story to a more universal growth story, which is more likely to cause children's empathy.

When Yang Jingyu and the Anti -Union soldiers appeared behind the stage as the spiritual power of the mountain, the audiences in the audience shouted "Commander Yang" with excitement, and excitedly appeared again for the anti -fighter soldiers. The Anti -Union soldiers are the protagonist of this work, "The protagonist in the heart", and this drama deeply stays in the memories of this group of protagonists in the memory of the audience.

Children's dramas are not "children's play". For a long time, the Ministry of Culture and Tourism have instructed their state -owned literature and arts and delegations to formulate medium- and long -term creative plans, annual creative plans, establish a quality management system, strengthen collective creation, and continuously enhance the original ability of the academy and the level of organizationalization. Children's artistic creation of excellent repertoire provides guidance and guarantee. "Instead of Sending Intelligence" started to create script three years ago. During this time, the drafts were easy to polish and improved. The sufficient time and respect for the law of art have been performed. Not only is it welcomed by niche audiences, but also inherited the red gene.

"This play reveals huge warmth with huge cruelty." Feng Li said that we are familiar with the word "donating to the country". After watching this drama, the villain will have a deeper and updated understanding of the word. Essence Many familiar and meaningful concepts, through the "Instead of Sending the Information", make the villagers feel that they suddenly become alive, they can be touched, can feel, and suddenly enter their hearts.

In the process of watching the show, the audience experienced more than an hour of thrilling and interesting "adventure". The children laughed back and forth at the scene. Ten minutes before the end, we couldn't stop crying. There is no cruelty of war on the stage and the heartbreak of heartbreaking, so quiet, but touching.

Ask diligent to provide children with spiritual food

The full name of the children's drama is "children and adolescent dramas". It must have rich ideological connotation, and at the same time, it must make children happy. The mountain on the stage is a small warrior, a little hero, and a real child. Even in the face of war and suffering, the child’s true, kind and beautiful, the confusion, pain and nature of the child's difficult growth process Naughty and simple, none of them were covered up and simplified.

This work comes from the hands of a group of young artists. They are skilled in the presence of children's viewing habits and the presentation of artistic imagination. It is the harvest of children's drama talents.

"This creation is based on realism and integrates the rehearsal method of expressism aesthetics. It uses aesthetic means to create a space full of imagination. While showing the hearts of the characters in the play, it is also exploring and grasping this drama and modern children. The context of the dialogue. Even in the war years, children have their lives and interests. This is where I need to excavate with the actors. "The director of the play Mornan said.

The poetic stage image is also infected with the audience. In the severe winter season, the image of white birch forests, white snow, and mountains in the northeast appear on the stage. The dance design style with a decorative and romantic color shows a huge contrast between the beautiful scene and the cruel war. When the scene changes and the lights gradually darkened, the white birch trees, plaques, tables and chairs in the background disappeared, sometimes appeared, like magic dreams and wonderful, causing amazing the audience at the scene.

At the same time, the integration of plot and artistic conception often condenses huge kindness and gentle power. Manshan and Li Xiaodao attacked the doll soldier Kobayashi, and can only be a competition for you to die. Unexpectedly, the photo of the swimming drums that wanted to exchange information about the possession caused an unexpected topic: Mom. The photo is the portrait of Ichiro's mother. The waves of the waves are given to Manshan's mother -"We all have mothers, our mother is the best mother in the world." On the face of Shan, Li Xiaodao, and Kobayashi, it was like a mother's caress. For a while, they seemed to forget the cruel war, lying on the snow carefree, looking at the flying snow films, and seemed to return to the mother's arms ...

The performance is close. When the truth about the information surfaced, the audience was deeply moved by the spirit of the fear of the fear of the fighter soldiers in the play. This huge cruelty carried the love and hope of the children's future for the future. Their heroic sacrifice is both magnificent and full of affection and warmth. Here, the meaning of intelligence is revealed, and the temperature also reaches the soul. This children's drama that searches for warmth and strives to maintain warmth in the war is also in the hearts of young people. Artists of Chinese children's arts are always asking to provide children with spiritual food, especially in the creation of realistic themes and revolutionary historical themes. Feelings, strive to make every theme creation stay in conceptual preaching, but to resort to the image and emotions, and make it a fine art.

(The pictures in the text are all the photos of the children's drama "Information Can't Send", Chinese children's arts.)

August 31, 2022 "China Culture News"

Published on the 5th-32th version of the 13th China Art Festival special issue

Among them, the 24th version published

"Children's Drama also has a" peak "work"

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Editor -in -chief: Chen Xiaoyue

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