CCTV's "National Face's Face" was launched tonight, and the five -episode documentary is connected to Jingchu culture.

The Yangtze River Daily Da Wuhan Client September 8th (Reporter Wan Jianhui) At 8 pm on September 8th, the series of documentary "National Face of Guole" produced by the CCTV Record Channel of the Central Radio and Television CCTV and the national audience, The contents of the five episodes of "Zhiyin", "Hetong", "Nei Word", "Li Sao" and "Spring River" were broadcast in 5 days.

Since 2018, the filming team has come to Han many times

"Five episodes of music documentaries are almost connected with the ancient and modern cultural interests of the Yangtze River Basin and the old and modern culture of Jingchu." Professor Li Youping, deputy dean of Wuhan Conservatory of Music Institute of Music, who participated in the "Face of Guo Music", told the reporter of the Yangtze River Daily on September 8th. One episode of "Intelligence" is undoubtedly the story of the ancient mountains and rivers of the mountains. In the second episode of "He Ming", the eight voices and Jin Shengyuzhen are directly from the bell of Zenghou Yi, Suizhou, Hubei, and the fourth episode of "Li Sao" and the "Li Sao" and Chu Wenhua's origin of Qu Yuan does not need to say much. Lefu's silent "Chunjiang" night's Yangtze cultural color is obvious and easy to see. Even if the "Neon" fairy music dance Chang'an, the main teller is Professor Zhao Weiping of the Shanghai Conservatory of Music.

"Therefore, it can be said that the" National Face's Face "that started shooting in 2018 is very natural!"

According to Li Youping, 2018 is the 40th anniversary of the unearthed bell of the Zeng Houyi. During the preparation of the 40 -year academic commemorative event, Director Salo of CCTV documentary Channel came to Wuhan Conservatory of Music to carry out the subject matter of the "National Music Side" (formerly known as) and discuss and discuss and discuss the subject matter of the "National Music" (formerly name) and discuss and discuss and discuss and discuss the subject matter of the "National Music" (formerly name) and the subject matter of the "National Music" (formerly name) and discussion and discussion and discussion of the subject matter of the "National Music" (formerly name) and the discussion and discussion of the subject matter of the "National Music" (formerly name), and Systemic material shooting and collection. On October 18th, during the "Academic Symposium on the 40th Anniversary of the Unearthed by the Beckles of Zeng Houyi", Director Salo and his team visited Wuhan again to concentrate on interviews and follow up the bell research experts and scholars who participated in the conference. Participating and assisting in the shooting and production of "The Faces of Guole", at least there are experts and scholars, scholars, grassroots cultural workers and intangible substances in the Wuhan Conservatory of Music, Hubei Provincial Museum, Jingzhou Museum, and Suizhou, Guigui, Qianjiang and other cities, grass -roots cultural workers and intangible substances Cultural heritage inheritor.

The second episode of the documentary, "Heming", was launched with the interview object of Professor Li Youping. The cultural connotation of different "and the contribution of the eight -sound and ritual and music civilization. At the same time, it was reviewed for 40 years unearthed. From research to creation, performance, from museum showcases to school podium and the theater stage, the bell music and dance creative transformation and innovative development.

The total number of playback playback of Guofeng Music continues to rise

According to the CCTV Record Channel, with the help of the two ancient piano representative songs, "Flowing Water" and "Guangling San", the first episode of "Conspiracy" aims to pursue in the long years. Wonderful spiritual resonance. The second episode of "Wheuma" started with the bell unearthed from the tomb of Zeng Houyi and the Ye Jiashan cemetery, interpreting the instrument itself and the mysteries of historical information and music it contained, and analyzed why it became the "head of eight sounds" in history.

From the prosperity of the "Nigeria Yu" from the prosperity to the decline, and then the trajectory of the Tang Dynasty court to the folk, the third episode of "Neis Wing" will lead the audience all the way. The fourth episode of "Li Sao" will present the distant Chu from the perspective of "folk relics" to show the exact appearance of the contemporary contemporary. More than 1,000 years ago, the poet Zhang Ruochu in the early Tang Dynasty described the eternal beauty of "Chunjiang" in words. Today, the music "Spring River Flower Moon Night" continues to interpret new legends. In the fifth episode of "Spring River", "Chunjiang" will be like an endless river spring water, which will present the time to people to meet in the air.

"National Music Face", through the excavation, sorting and exploration of the ancient rhyme and ancient songs of the phenomenon -level ancient rhyme, to outline the long -flowing charm of the Chinese civilization through the "Qianxian Side Face" of Guoshan, and also through contemporary musicians and music. The wonderful interpretation of people leads the audience to see the diversity of "living" in the new era.

In addition to the shooting of Sichuan, Jiangsu, Shaanxi, Hubei, Beijing, Shanghai, Zhejiang, Hunan and other places, the tentacles of visiting were also extended to overseas regions such as Japan and the United States. The work focuses on the historical process of national music, digs out classic national music that has been circulating to this day, sort out those music and cultural phenomena that has had huge impacts, and show the beauty of national music from multiple perspectives such as history, culture, science popularization, humanities, and emotions.

Currently entering the new era of the national tide surge and the return of self -confidence. On the major music platforms, the total number of national style music has continued to rise. In only 2020 to 2021, the number of explosive models (played by 100 million) Guofeng music reached 51, an increase of 34%from the first year.

How to better let traditional national music reflect the light of the times? To a certain extent, "The Face of Guoshan" will help the audience to sort out the context of inheritance, listen to the changes of music, enrich the dimension of thinking, and then even become more than the cultural height of the cultural height of history, moving towards the public life, and out of the international perspective. Determine where the road of national music will go from.

【Edit: Ding】

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