Art observation | Keep a green development art file for history

Author:Cultural Tourism China Time:2022.09.10

Saihan, Mongolian means "beautiful". Saihanba means "beautiful kaolin". Historically, Saihanba was part of the Mulan encirclement of the Qing Dynasty Royal Hunting Garden. Since the end of the Qing Dynasty, due to the opening of the reclamation, the plunder of the invaders, and the mountain fire in the beginning of the year, the virgin forest in Saihanba was disappeared in the early days of the founding of New China. Plateau.

After the founding of New China, after the efforts of the three generations of forests, Saihanba became "the source of water, the hometown of the cloud, the world of flowers, and the ocean of the forest". The world's largest artificial forest. How is this amazing change realized? The Chengde Theater Troupe "Saihan's Long Song" uses the true story as the prototype, reproduced this arduous years, and retains a vivid art file for history.

Reapping the green change of Saihanba in art form is not only a proposition of the times, but also very difficult to create: how to dig drama stories from the dull and boring forest farm life? For more than 50 years, how can the three generations adhere to the two -hour drama stage? Telling the changes of Saihanba must not only find stories in life, but also not to the story. This is a spiritual highland. Can the screenwriter write height, and can actors perform height? Recently watching the latest version of "Saihan Long Song", it can be said that this drama that has been polished several times and has won the awards has achieved people's expectations.

The drama "Saihan Long Song" performed stills Xiang Chunxia shooting

The success of "Saihan Long Song" is the fundamental foundation. From the beginning of the creation of "Saihan's Long Song" in 2017, Sun Demin, a well -known screenwriter of nearly 80 years old, led the main creative team to enter Saihanba 14 times in 3 months, visited 50 or 60 business forests, in -depth further further Listen to their voices. There are too many stories in Saihanba that made Sun Demin cry. In the early days of the 1960s, Saihanba failed to plant trees for two years, and the project faced the dismissal. He was the chief engineer in Saihanba, retreated to Beijing's house, and came to Saihanba with his lover and children. If they can't plant the trees, they will not leave Saihanba. Looking at the fire building in the forest farm, Sun Demin met a family who guarded the forest farm. They transported food on the mountain in spring. It was one year when they were eaten. Because no one communicated with the fire building, the child would only be called "dad" and "mom" when he was 5 years old. Essence Sun Demin said that without these baptisms, there would be no passion for creation, and there would be no more touching details.

"Saihan Changge" writes the three generations of forests. Each generation has a problem faced by each generation. Each generation has the adherence of each generation. It is commendable that the screenwriter writes that the forests of the forests have been written in different ages. The characteristics of the times set the unique character image on the stage.

The perfect fusion of Dance and the content of the drama is another highlight of "Saihan's Long Song". As soon as the whole drama opened the opening, it was first scored. Through the projection method, the raging white Mao Xue was projected on the stage curtain. Blizzard showed a huge tension with simple Chinese -style freehand performance. I was moved to the stage of the drama. The second clever application of the new media in "Saihan Changge" appeared in the forest farm employee to watch the movie "Shang Ganling". The director boldly made the pillars on the screen on the stage of the drama, and really put on the movie. When the classic fragments in "Shang Ganling" appeared and the music of "a large river wave wide" sounded, the emotions of the audience instantly ignited. Moving the old movie to the stage of the drama, this processing method allows the audience to be in a historical situation. At this time, the first generation of affiliate forests shouted that they would guard the Saihanba like a soldier to guard Ganling. Water comes. In the film, the great beliefs of patriotism, responsibility, and mission were deeply wedged into the land of Saihanba like nails.

The environment in Saihanba is difficult, but "Saihan Changge" has always been a optimistic idealism in the difficult background. This optimism, on the one hand, is reflected in details, and another key factor is stage music. The whole work uses the theme song "My Motherland" in the movie "Shang Ganling" as the main theme through the three chapters of the whole drama. As the director Wang Yansong said, the "one big river" was buried as a seed. It was not a seed of a simple music, but also a seed of literature, the seeds of life, and the seeds of spirit. In an era of avoiding lofty and being chased by some people as Jinke Yu law, such an idealistic surging passion is undoubtedly valuable, and it can also trigger the resonance of many audiences.

(The author is the director of the International Department of China Art Newspaper Tonglian)

Responsible editor: Gou Xiaoqing

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