"A glance in the world's three thousand scenes", audiovisual technology empower classic inheritance

Author:Radio and Television Review Time:2022.09.26

Taking spring and autumn as paper and classics as a pen, the second season of "China in the Classics" brings the Wenmo Fairview of the Congress of Qiu Qiu years. The ink is heavy.

The Qianqiu classics are gathered, and the ancient and modern times are described. The first season of "China in the classics" presented a rich cultural feast to the audience through audiovisual technology and narrative methods. The heat is still there, and the glass of wine is still warm. On September 24th, the second season of "China in the Classics" produced by the Central Radio and Television Station returned. With the participation, this season's innovative integration of "thought+art+technology" continues to write the "Dan Qingshu Volume" of the new era.

Respect, good at drawing, and extensive reference. In the final analysis, "China in the classics" is hot, in the final analysis, it is a solid cultural self -confidence, and adhering to the success of the original intention.

History and culture is a boat, audiovisual technology

"Zeng Guangxianwen" has a saying: Guan Jingyi is ancient, no ancient. As a refreshing cultural and artistic program, the second season of "China in the Classics" continues the high level of the first season at the technical level. The special effects of the book scrolls have been upgraded to realize the drama, the culture of the drama, the culture, and the audience's aesthetics.

Real scenes and technology cooperate with cultural interviews and "ancient and modern" dialogue, which undoubtedly expanded the new paradigm of cultural programs, technology empowerment and blessing the "fast wear" experience of ancient and modern virtual reality, interview dialogue created "time and space exchange field" and lyrical space, full of fullness Deep emotional sustenance and classical mood.

The presence of superb technology can reduce the threshold of reading, appreciation, and understanding of ancient books, but it is also inseparable from the extreme cultivation of cultural connotation. From the two levels of common and durability, multiple "ritual spaces" are constructed, which realizes the cross -type symbiosis of drama art, cultural classics, and dance beauty technology, and create a "immersive" audiovisual experience for the audience.

In the first episode of "Yongle Ceremony", Sabenin passed through Daming 600 years ago. Through the dialogue with Chen Ji, the "President of the Capital", with the conversation between the two and the scenes of many scenes and the scenes of the scenes. The scheduling is presented in front of the audience. When Chen Ji stared at Sabenin to inquire about the situation of "Yongle Ceremony" in later generations, the camera followed the 600 -year -old wind and rain again, interpreting and sublimating this "beads to return to Pu, and the glory of the" beads returned, and the calamity was heavy light. "It is not easy and difficult.

History of aesthetics, upgrade of drama narrative

The literary works are expensive in the unity of literary and authenticity, and "China in the Classics" is in line with the historical background at the story structure level, and the evidence is detailed; "Strong effect. In the drama of the Fortune of the first issue of the "Yongle Ceremony" in the "Lake" collar, Yueying Wanchuan's image with the dream scene of the lake and mountains, which deeply interprets the beautiful and quiet Oriental aesthetics; For example, in the drama of the "Teacher" word -of -the -word repairs, Chen Ji recruited and quoted the scriptures, and used the word "division" to explain the "avenue", coupled with the rendering and surrounding of the background sound, profoundly showed Chen Jihao's open -minded cultural personality and Chinese China The cultural accumulation of thousands of years.

In addition, the show group also chose to combine the green screen and real scenes in the drama setting. There are real scenes such as court, study, and rain alley. There are also free and elegant landscape artistic conception. The aesthetic field of imagination has enhanced the sense of participation and atmosphere of the show.

In the past, or mottled in the painting hall of Zhuqi, but also the vast mountains and earths. Although the creation team of "China in the Classics", although the cultural image of the "classics" of the "classics", has bet on a lot of hard work and energy in the drama and character image shape. The position of historical materials is quite limited compared to one of the "Three Talents of the Ming Dynasty", but the program group has many evidences to discover the historical records of Chen Ji and other historical materials such as "History of the Ming Dynasty" and restore the "two -legged bookcase". The figure of the characters, and the presentation of the drama, let the classics "live", and "flow". Deep cultivation of the papers, harvesting cultural heritage

Use the rhyme to use the word, and use the word to use the line. In terms of narrative, "China in the classics" not only creates a new air orientation of traditional cultural programs, but also is also the "one level" on the road of classical culture. As the core image of the show, the "classics" of the show not only appeared in the display of the opening ceremony of the opening of each program, but also reflected in the elaborate copywriting of the show group and the drama scenes of strict research.

At the level of the matter, the first issue of "China in the Classics" in the second quarter from the first generation of the ancestors' "Yongle Ceremony" opened the story of "Pearl Return to Hepu, Circuitn and Everbright". 》 When Jiajing's copy goes back to Chen Ji in the fire to rescue the "Yongle Ceremony", the drama is expanded through the way of telling the story. The president of the capital ... The three dramas plump Chen Ji's image, the narrative structure is complete, and the relaxation is relaxed.

According to the reason, the first phase is based on "Yongle Ceremony", and the protagonist Chen Ji's life as the axis as the axis. Book rolls, family conditions.

At the level of the reason, the vast and cold classics, under the heart production of the program group, sublimated to a "symbol" sustenance, especially the "inheritance avenue" that runs through the whole 90 -minute "inheritance." "The progress and sublimation of the" Master of Wanshi "and" Everything for Master "make the avenue no longer a preach of the avenue, but is full of wisdom and last wishes of the ancestors, carrying the emotional memory and identity of each Chinese child Agree with the vigorous spiritual power that can be reached.

The second season of "China in the Classics" enriches the expression of a new generation of cultural programs, with spring and autumn as paper and classics as a pen. The painting rolls are paved with the heavy color of the new era.