"Poetry and Painting China" opens the new dimension of "Poetry and Painting"

The large -scale cultural program "Poetry and Painting China" of the Central Radio and Television Station is currently on the CCTV Comprehensive Channel. The program takes Chinese classic paintings as the content carrier and specific scenes. With cross -border combinations such as poetry, music, songs, dances, etc., Chinese poetry and paintings "jump out of paper" in TV art, restore the poetry and painting that can be traveled " Taoyuan. A "exhibition" of Chinese culture with a combination of poetry and painting and artistic conception presents a pleasing Chinese culture to the audience. Recently, the main creator of the show was interviewed by reporters to tell you the story behind the show creation.

The literary feast of "Poetry and Painting"

As a new large -scale cultural program created by the main station, "Poetry and Painting China" invites the chairman of the Chinese Artists Association, Van Dian, Dean of the Central Academy of Fine Arts, Wu Weishan, director of the China Art Museum, and Kang Zhen, vice president of Beijing Normal University, and others. , Taste the beauty of Chinese poetry and painting with the host Sabenin with "Nashan River and Millions of Thousands of Years".

Tian Mei, the director of "Poetry and Painting China", has launched the five seasons of "Classic Yong Zhuan", which has been committed to the deep cultivation and exploration of cultural programs over the years. In the interview, Tian Mei said: "For the excellent traditional culture of China, we always have a sense of mission and awe, and constantly draw nutrients and strength from traditional classics." The original intention and exploration came into being. The team has worked hard on the Spring Festival Gala Stage. The creative concept of "thought+art+technology", as well as the determination of creating a cultural program of "combination of poetry and painting", to show the unique intentions of Chinese aesthetics and the cultural connotation of Chinese thousand -year -old context.

As a large -scale broadcast program, "Poetry and Painting China" continues the basic model of 11 periods per season and 90 minutes per issue. Each program will present 4-5 famous paintings. Each topic includes four links: opening, rolls, scrolls, and scrolls. Tian Mei introduced that in the early days of the planning of "Poetry and Painting China", the program group reached cooperation with the Palace Museum, Beijing Normal University, Central Academy of Fine Arts, China Art Museum and other units to reach cooperation with President Van Di'an, Professor Kang Zhen, Wu Weishan Museum, and joint units. Experts and scholars held in -depth seminars many times, sorted out the theme of the show, and organized nearly 200 paintings and nearly 300 poems from nearly a thousand classic poetry and painting works, and screened nearly 60 paintings from them.

Since ancient times, poetry and painting have been the same artistic language. It is the combination and sublimation of people's subjective expression and objective cognition, which contains the endless life power. Su Shi once evaluated Wang Wei's poems: there are paintings in the poems and poems in the painting. "Poetry and painting" is the core significance that "Poetry and Painting China" wants to achieve.

Tian Mei said that in the process of "poetry" and "painting", we must follow the ancient meaning and new meaning, which can be roughly divided into three ways: the first is the work of the work itself. For example, Wang Mian's "Meimei" and Zheng Banqiao's "Bamboo and Stone Map" are the natural "unity of poetry and painting" artistic aesthetic characteristics. Essence

The second is in traditional Chinese culture, many poems and paintings are the themes. The poetic of "Pipa" will merge the poetic and artistic meaning in the show.

The third is that although the painting itself is not directly related to the poetry, the show has interpreted the classic cultural interpretation and excavated the freehand spirit from the millennium context, giving classic painting a new poetic expression. For example, from Fan Kuan's "Map of Xishan Travel", the audience appreciates the "high mountains and long water, and the objects are tens of millions". Cultural philosophy and so on. Tian Mei said: "In these sense, the 'poem' of" Poetry and Painting China "is not only 'poetry', but also a poetic cultural symbol. It is a freehand spiritual expression. A creative fusion. "

At the same time, in order to truly realize the "combination of poetry and painting", it is also necessary to use modern technology and film -level shooting methods to present them in a diversified form. From the "Meimei Map" singing in ancient and modern to the "Fast Snow Painting and Calligraphy Combination" volume of "Fast Snow Calligraphy and Calligraphy". Fan Kuan's "Xishan Travel Map" draws the scene to Xu Wei's freehand style to create a "ink and wash symphony" ...

Tian Mei said that the program tried to find the art and technical methods that could maximize the painting, rather than simply the technical means stacking. The new dimension of imagination helps the audience to better understand Chinese painting, understand Chinese painting, and love Chinese painting through this show. "

New exploration of multi -art integration

"One minute on the screen and a hundred people under the screen", Tian Mei sighed. "As a new cultural program," Poetry and Painting China "comes with new models and forms, carrying the historical mission of spreading and inheriting traditional culture It can be said that every step is like a thin ice. "Poetry and painting are two -dimensional art forms in the plane. It is inevitable that" it can only be said that it is unspeakable. " , Pleasing to the eyes 'jumping on the paper' 'before the stage' is the driving force for our thinking and innovation. "Every literary and artistic presentation in" Poetry and Painting China "is carefully planned by the director group for several months, and invites invitations Top experts and teams in various arts in the country are working together. Tian Mei said: "The director group carefully sorted out the creative background, artistic value, and spiritual connotation of each painting with the assistance of the experts. Drama, martial arts and other performance forms, to the innovation and integration of advanced technologies such as CG, AR, XR, we hope to find the most extreme expression and let poetry and painting works "live" in the show. "

For example, the "Map of the Shanxing Travel", which is called "Song Painting First" by Dong Qichang, experts from the program group and the Central Academy of Fine Arts, director of Beijing Renyi, Shen Peiyi Dance Team, Cui Xiaodong clothing team, "Recalling Jiangnan", "Golden Face" The shooting team and special effects team, etc., held many planning meetings, and invited Li Guangfu, a Beijing Renyi performing artist Li Guangfu. Young dancers Zhu Fengwei and Gong Zhonghui jointly performed the "encounter" that was difficult to see for thousands of years. In order to be able to build a landscape painting in Fan Kuan's pen, the program team invited students from the Central Academy of Fine Arts to split the "Xishan Travel Map" into nearly 100 elements for the production of three -dimensional special effects in the later period. Elements have carried out scene restoration to truly allow ancient paintings to live.

In addition, focusing on the masterpiece of the Ming Dynasty painter Xu Wei's "Miscellaneous Flower Picture", the program creates a concept of "ink and wash symphony", inviting the team of Wang Zhigang of the Tsinghua Academy of Arts for visual creation, creating a virtual ink space, and a professor of the Tsinghua Academy of Fine Arts. As an art director, Chen Hui painted more than 200 "miscellaneous flowers" strokes by the brushwork of the Tsinghua Academy of Fine Arts, and finally combined the stroke animation with the visual space, so that Lang Lang's performance was completely in a ink space.

The famous dance artist Shen Peiyi said: "The language of the dance, the smart dance step is to step through the mud to leap from the mud to the mountains from the end of the long history. The poem written by the soul spectrum is a painted painting, a spirit of wakeing human beauty genes, and the four seasons of the four seasons of human high -quality character. "For the use of dance to interpret the art of" poetry and painting ", Shen Peiyi said:" Poetry and painting Giving dance dance, poetry and painting can be eternal in the dance, poetry and painting are like dancing, dancing like poetry and painting. "

As the music director of the show, the musician Lao Tsai said that in the process of "living" in each one, music is also an extremely important color. Lao Tsai said: "Don't look at Dan Qing's leisurely, praise Qianqiu in the silent poem! Why isn't music? Poetry and music have been complementary in the art hall since the birth of the birth. . Poetry, music, and painting are born with the same source. In "Poetry and Painting China", the three are combined and integrated with each other to create exquisite art fines. "For example In the middle, the three classic melody of Chinese and Western sides depicts the freehand and bone of Xu Wei's freehand ink. It is also a wonderful collision of east and west culture and art, bringing audiences to the audience's sensory shock.

Wang Zhigang, director of the Department of Information and Art Design of the Academy of Fine Arts of Tsinghua University and Wang Zhigang, the video director of the 2022 Beijing Winter Paralympic Games, served as the visual director of the show. He said: "The visual design of" Poetry and Painting China "is based on the integration of multiple artistic forms. The creative transformation and innovative development of traditional Chinese painting, that is, build a narrative of enhanced works through spatial conversion and context, through the integration of art and technology to enrich the experience of works, transform the publicity of the work through media transformation, in traditional and contemporary contemporary Establish a bridge of perception and understanding, thereby promoting the inheritance and development of traditional Chinese culture. "

In addition, the program also strives to reproduce the classic image in the painting in clothing and styling, and continues the aesthetic impact of traditional art works. For example, in the "Map of Xishan Travel", Li Guangfu played "Mountain Walker" and Zhu Fengwei and Gong Zhonghui played by Li Guangfu. The "Weepa Commercial Travel" not only deeply restores the ancient image in the shape of clothing, but also harmonizes the landscape scene with ink texture, bringing a unique visual beauty, and fully shows the aesthetic charm in the painting. Cui Xiaodong, director of the show and clothing, said: "Poetry and Painting China" is a window for spreading traditional Chinese aesthetics. He shows the world's self -confidence to the world and rejuvenate the context that has been inherited for thousands of years. "

Tian Mei said: "We want to be a beautiful expressionman, conveyor, and creator, so that the ancient poetry and painting classics bloom in front of the public with a new vitality. With the contemporary expression of traditional culture, we will strive to present a vivid charm and weather. Poetry and painting China. "

The contemporary of Chinese civilization

In recent years, cultural programs are showing a "competing" attitude. Tian Mei said: "We adhere to the thick soil of this excellent traditional culture, and we are also pleased to see the traditional Chinese culture with a younger and vibrant attitude that has captured the hearts of the majority of audiences and even young audiences." "Poetry "Painting China" uses a novel and cutting -edge expression and aesthetic vocabulary in the new era, to reshape and reproduce the poetic and paintings, and add a stroke to the representative of the Chinese civilization. Tian Mei believes that compared with poetry, painting is an art appreciation door with higher thresholds. "Poetry into painting" is the first breakthrough. Tian Mei said: "In the long river of art, poetry and painting are an important support for the spirit of the Chinese spiritual style and aesthetic purpose. It will become a new content of aesthetics. By letting poetry and pen and ink open the audience's expectations of Chinese aesthetics, we reflect the strong Chinese aesthetic characteristics and cultural symbols, and "lively and vividly" entered the hearts of people. "

"Fusion of technology and art" is the second breakthrough. Each painting is committed to the integration of art carriers such as poetry, painting, sound, dance, drama, and songs, and combines advanced XR, CG, AR, etc. Scientific and technological means to push the integration of art and technology to a new height, meet the new generation and young people's pursuit of novel aesthetic needs, and create a unique visual "wonders".

"The same pace with the times" is the third breakthrough point. Tian Mei said: "Whether in the choice of performers, or in the practice of art and technical forms," ​​Poetry and Painting China "is committed to creating more young audiences. The form of presentation, creating the contemporary expression that conforms to this era, embrace traditional culture with a sense of sensible, considerable, and cute perspectives, so that these cultural treasures that have precipitated in the long history are awakened, which inspires the national spirit hidden in the texture of the times. , Cultural core. "

Wang Xudong, a member of the party group of the Ministry of Culture and Tourism and Dean of the Palace Museum, said that he hopes to let the audience know that the Chinese culture has a long history and present the Chinese spirit through such programs. vitality. He said: "Our art today must serve the public and find the power of art from the service. The Wenbo institution should take the initiative to participate in such cultural programs. Experts' research results have stimulated and spread. "

Fan Dian, chairman of the Chinese Artists Association and dean of the Central Academy of Fine Arts, believes that the innovation of "Poetry and Painting China" has deepened its understanding of cultural synergy, aesthetic charm, and artistic appeal of different categories. The integrated application of new media technology extends paintings and extends into a visual world that is immersed in participation. The program reflects the characteristics and cultural symbols of Chinese aesthetics. The program is not only a "visual encyclopedia", but also a "cultural article".

Wu Weishan, director of the China Art Museum, said that the launch of "Poetry and Painting China" has caused a warm response in the art world. Everyone generally believes that through the extensive spread of TV art, the collection of art works, telling stories, social aesthetics and renovation experience New inspiration and new ideas. The program allows art to truly penetrate people's minds, and also lives in the artist's creative blood. Through continuous inspiration and nourishment, the creation of the new era is full of history, highlighting the weather of Chinese culture, the beauty of the Chinese nation, and the beauty of the Chinese nation. Essence

Professor Kang Zhen, Vice President of Beijing Normal University, fully affirmed the integration of the program "technology and literature and art", and believed that the show of visual shock showed the level of viewing the audience. He calls the foundation of the show lies in art. The connotation of the program is Chinese culture and civilization. The two major art systems of poetry and painting are integrated, pursuing a realm of "gentleman elegance", telling Chinese stories and showing Chinese spirit, so that we can have stronger power Faith for the future of China.

The colorful art works provide a concrete carrier for the excellent traditional culture of China, which provides a rich material for telling the Chinese story and showing a credible, cute and respectable Chinese image. , To give more new vitality to art works. "Poetry and Painting China" let us see the re -creation and expression of classic poetry and painting, which will also be another new challenge for art aesthetic cross -border expression.

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