In 2022, the high -end forum of high -end forums of "telling Chinese stories and promoting high -quality development of Chinese documentary" was successfully held

Author:Cover news Time:2022.09.25

At 8:30 am on September 24th, the high -end forum of "Tell Chinese Stories and Promote the High -quality Development of Chinese Documentary" in 2022 was held online online. The meeting was hosted by the Chengdu University Media Research Institute and hosted by the Documentary Research Center. Nearly 3,500 experts and scholars from domestic and foreign universities, industry associations, and industry insiders gathered through online live platforms such as Tencent Conference, Academic Chronology and B Station.

Yang Mingpin, deputy director of the Development Research Center of the State Administration of Radio, Film and Television, He Su Liu, director of the China Documentary Research Center, Yan Dong, Director of the Special Program Department of the Central Radio and Television General Taiwan Society, Zhang Tongdao, Director of Beijing Normal University Documentary Center, and the China Television Artists Association Rong Media Sun Jianying, Executive Vice President and Secretary -General of the Cultural Commission, Chen Hong, deputy director of China Education Television, Discovery Channel Vice President Vikram, Vice President of Asia Pacific Television Network, senior editor of CCTV, Wang Mu, Liang Bibo, a famous documentary director, Peng Hui, vice chairman and director of the China Film and Television Association, Yan Wei, deputy director of the editorial department of the China Television Art Committee, Lingzhong, President of the Sichuan Radio and Television Council Education and Arts Committee Liu Guangyu, deputy director of the committee, Huang Guiping, deputy director of the Documentary Creation and Research Center of South China University of Science and Technology, made a theme speech. Wang Qingyuan, deputy secretary of the party committee and principal of Chengdu University, Tang Yiqian, member of the Standing Committee of the Party Committee and Vice President, Zhang Xueli, Director of the Social Sciences Department, Ouyang Hongsheng, Dean of Chengdu University Media Research Institute attended the meeting. Deputy Dean Tan Xiaoling presided over the opening ceremony of the forum.

Professor Wang Qingyuan, deputy secretary of the Party Committee and President of Chengdu University, welcomes Chengdu University on behalf of Chengdu University. He proposed that the Chengdu University Media Research Institute has made eye -catching results over the years, including the establishment of a documentary research center, publishing "Introduction to Documentary", "Image Construction of New Record Movies" and other monographs. Dozens of articles, even directly participated in the planning and production practice of documentary. "‘ Talking about the Chinese story and promoting the high -quality development of Chinese documentary 'themes ’high -end forums in our school is also a kind of affirmation of the long -term efforts of the media research institute in the field of documentary films."

Professor Wang Qingyuan, Deputy Secretary of the Party Committee and President of Chengdu University

Professor Ouyang Hongsheng, a special -appointed professor of Chengdu University, Dean of the Media Research Institute, a second -level professor, and doctoral supervisor Ouyang Hongsheng in the opening ceremony. He believes that the documentary plays an irreplaceable role in shaping the national image and telling the Chinese story. In recent years, Chinese documentary creation and research have achieved fruitful results. The theme of this forum is based on the theme of "telling the story of Chinese and promoting the high -quality development of Chinese documentary", combined with the ideological resources of multidisciplinary ideas such as film and television art, communication, literary and artistic ideology and other disciplines. The logic of discussing the logic of "derived from China and leads the future based on history" is of far -reaching significance.

Professor Ouyang Hongsheng, a special -appointed professor of Chengdu University and Dean of the Media Research Institute

After the opening ceremony, this theme forum was officially held. 14 experts delivered a keynote speech based on the theoretical research of documentaries, the creation and dissemination of documentaries.

Deputy Director and Researcher of the Development Research Center of the State Administration of Radio, Film and Television, executive deputy editor -in -chief of China Radio and Television All -Media Blue Book, and Yang Mingpin, deputy director of the Art Review Special Committee of the China Television Artists Association A total of three documents were introduced within twelve years, and the "Recording New Era" documentary creation and communication project was implemented, which greatly promoted the creation and dissemination of documentaries. The cultivation and development has been converted to high -quality development, restructured the documentary creation pattern, reshaped the spirit of documentary creation, and established a complete creative system for Chinese documentary industry state -owned funds and market capital.

Yang Mingpin, deputy director and researcher of the Development Research Center of the State Administration of Radio, Film and Television

He Su Liu, deputy minister of the Department of Journalism and Communication of Communication University of China, and director of the China Documentary Research Center, started from an international perspective and gave a keynote speech based on the "Thinking of Chinese Documentary Films". It tells the valuable experience brought by foreign directors' films for the creation of Chinese documentary, and put forward the four international communication keywords of "common value", "common discourse", "common emotions" and "same frequency resonance" Communication indicates the direction.

Ho Su Liu, Deputy Minister of Journalism and Communication Department of Communication University of China and Director of the China Documentary Research Center

He has created a number of major documentary works of major themes, nine times won the "Five One Projects" Award of the Central Propaganda Department, won many Chinese News Awards, and won the China Golden Eagle Award Documentary Special Award. Yan Dong, director of the program department, gave a keynote speech on the title of "National Dialogue and International expression of major theme documentary". He pointed out that major theme documentaries represent national discourse and have an indispensable role in international expression. The topic of documentaries is a prerequisite for success. The common value of Chinese documentary and international cooperation models should be found. In the process, make a unique exploration of the subject matter of innovation.

Yan Dong, Director of the Special Program Department of Central Radio and Television General Taiwan Education Program Center

Zhang Tongdao, director of the Documentary Center of Beijing Normal University and a professor at the School of Art and Media, gave a keynote speech on "Tell Chinese Story as an International Story". He first elaborated the current pattern of international documentary dissemination, proposed the development direction of the establishment of China's international communication brand, and then analyzed the documentary theme suitable for global communication from the international media ecology, and from the common values of human beings, cross -cultural context, improvement I have started to tell how to tell Chinese stories in the international perspective in many aspects. Zhang Tongdao, Director of Beijing Normal University Documentary Center, Professor of Art and Media School

Sun Jianying, Executive Vice President of the China Television Artists Association Rong Media Culture Commission and the former chairman of the "Golden Panda" International Documentary criteria of the Sichuan TV Festival, gave a keynote speech on the title of "Observation and Thinking of changes in the survival method of documentary films in the new era". She pointed out that in the era of new media, the creation and development of traditional documentary faces unprecedented challenges. The original fixed audiences continued to lose due to the diversion of the communication platform and channels. However, documentary creation must face the challenge. Thoroughly transforming into "products" can maximize the communication effect. She uses hit documentaries such as "Dare to Call the Sun and Moon for New Heaven", "Snow and Snow together", "Food Order" to analyze how the traditional documentary in the new era "breaks out" in the predicament, which has strong reference significance for documentary creation.

Sun Jianying, Executive Vice President and Secretary -General of the China Television Artists Association Rong Media Culture Commission

Chen Hong, deputy director of China Education Television, made a keynote speech on "A path from a documentary to a documentary power -powerful country -about the basic idea of building a documentary town". He proposed to build a small town of Chinese documentary, and to form a vertical industrial cluster from a variety of links such as confirmation of topics, cross -border integration business model research and development, shooting production, promotion, and marketing distribution. The industrial agglomeration platform brings truly reflects the value of the transmission of records.

Chen Hong, deputy director of China Education TV Station

Discovery (Discovery) Channel Vice President of Asia Pacific Television and chief content officer of East Asia and Southeast Asia, Wei Keran gave a keynote speech on "Made in China for the World" (telling the Chinese story in the world). He proposed that creating programs that have both influential programs worldwide and localized, attracting young audiences, can adopt a unique non -Western international perspective that is different from BBC, CNN, and CCTV, and non -documentary entertainment programs. In addition, he also focused on the documentary "Family Evil Cats", "The Capital", "The Journey of the Brave" and "Goodbye Nanshan" by exploring the channels of the Chinese media to focus on the world language used by the documentary to tell the Chinese story. State and innovation embodiment.

Discovery (Exploration) Channel Vice President Wei Keran

Wang Fu, senior editor of CCTV, the evaluation of the Program Supervision Center of the State Administration of Radio, Film and Television, and Wang Fu, deputy director of the R & D Committee of the China -Broadcasting Association, delivered a keynote speech on "Documentary: Deep Diving historical value, stimulating new cultural self -confidence". He believes that this work adheres to the creative direction of historical materialism, adopts novel and unique film and television narratives, and provides new art coordinates for the spread of the "Dream of Red Mansions" in the era of the media era, so that historical classics are building new new socialism with Chinese characteristics. During the journey, it blooms more gorgeous glory.

Wang Fu, senior editor of CCTV and Vice Chairman of the R & D Committee of the China -Broadcasting Association

Liang Bibo, a national cultural master and "four batches" talent and the National May Day Labor Medal, delivered a speech on "Recorders of the Times". He pointed out that the documentary is the flagship of international communication. International communication can first adopt a partition strategy before telling the Chinese story from the perspective of other other. He believes that from the basis of the real position, he proposes to pay attention to the holding of the film festival, deepen the understanding of the documentary, and strengthen the training of students' practical ability. Essence

The National Cultural Master and "Four Batch" talents and director Liang Bibo

Peng Hui, a national first -level director and vice chairman of the China Film and Television Art Association, delivered a speech on "Tell the Story of Chinese Story with Documentary Power". He believes that telling the Chinese story with the power of documentary, and the soul of the documentary is "documentary", using perceptual records, and rational creation, pointing out that the scene significance of documentary images is "I am on the spot" and "real records". He also emphasized that documentary elements are the most reliable and inevitable audiovisual files in all film and television works. The documentary value of documentary depends on whether the documentary is honest to record the real society. The historical value of the final documentary is to leave an irreplaceable image file for humans.

Peng Hui, vice chairman and director of the China Film and Television Art Association

Yan Wei, deputy director of the editorial department of the China Television Art Committee, started from the "Starlight Award" award -winning work in recent years. It discussed the quality creation of TV documentary in the new era and proposed the "Starlight Award" award -winning work in the near future as the quality creation of television documentaries since the new era. The model of ideas and artistic nature is integrating ideology and artistic, which reflects the mission and responsibility of civilized mirrorbooks and times in the literary form of documentary documentary.

Yan Wei, deputy director of the editorial department of the China Television Art Committee

Ling Zhong, president of the Sichuan Provincial Radio and Television Association Education and Art Committee and former editor -in -chief of Sichuan TV, delivered a keynote speech on the "Host in BBC Documentary". He believes that the host in the documentary helps to enrich the form and expression of the documentary, and better serve the content. It is pointed out that the scholar -type host (the host with both professional background and host ability) is a sign of high -quality development documentaries Essence Ling Zhong, President of the Sichuan Radio, Film and Television Association Education and Arts Committee

Liu Guangyu, deputy director of the Documentary Specialist Committee of the Chinese University Film and Television Society and the second -level professor of Sichuan Normal University, delivered a speech on the definition of non -heritage images and the Domains of Title. From the level of phenomenon investigation, he showed four non -heritage shadow results of opera, movies, opera and television, anthropological documentary, non -heritage stories, and traditional holiday party. The definition of the three images of theme movies, and focuses on the four dimensions of the medium, function, content, and form of non -heritage images.

Liu Guangyu, deputy director of the Documentary Special Committee of the Chinese University Film and Television Society

Huang Guiping, deputy director of the Documentary Creation and Research Center of South China University of Science and Technology, based on local reality and explained the "Promoting International Communication of the Festival -China (Guangzhou) International Documentary Festival as an example". She analyzed the creation, market, and industrial chain of documentaries from the Chinese Documentary Festival, and focused on the four aspects of Chinese story tellers, international rules practitioners, multiple communication space builders, and documentary industry trade promoters. How to serve the "Chinese Story".

Huang Guiping, deputy director of the Documentary Creation and Research Center of South China University of Technology

In the afternoon, two sub -forums were held online. The sub -forum is divided into two themes, "Research on the Development of Documentary Industry, Regional Culture and Communication Function" and "Documentary Audiovisual Types, narrative expression and aesthetic concepts". More than 30 young scholars and experts from domestic and foreign universities and television stations Published and exchanged academic views. The closing ceremony was chaired by Professor Zhang Juan, deputy dean of Chengdu University Media Research Institute. Associate Professor Li Li summarized the forum. He expressed his gratitude to everyone's support and participation. Scholars and documentary creators are more actively investing in the innovation exploration of Chinese stories.